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Thomas Minton, another Caughley-trained engraver, also supplied copper plates to Spode until he opened his own factory in Stoke-on-Trent in 1796.The colour paste was worked into the cut areas of the copper plate and wiped from the uncut surfaces, and then printed by passing through rollers.

Underglaze "hot-press" printing was limited to the colours that would withstand the subsequent glaze firing, and a rich blue was the predominant colour.These designs, including edge-patterns which had to be manipulated in sections, were cut out using scissors and applied to the biscuit-fired ware (using a white fabric), itself prepared with a gum solution.The tissue was then floated off in water, leaving the pattern adhering to the plate.Also, learn about Spode backstamps to date pieces more easily by sight.Continue Reading One of the most comprehensive books available on Copeland Spode china is "Spode & Copeland Marks and Other Relevant Intelligence," written by Robert Copeland.

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